Totally Not Mark
& the brands behind the videos.

Whatnot turns Dragon Ball collecting into a live bid

While commenting on Dragon Ball news, Mark introduces Whatnot as a place to buy, sell and auction items, including trading cards, figures and out-of-print media. He explains that live auctions let viewers interact with sellers and see items in motion rather than judging only from a still photo. He then opens the Dragon Ball cards category, enters a stream and places a bid.

The first purchase becomes part of the read’s entertainment: the host reacts to winning and presents a viewer incentive. The episode then returns to its discussion of the anime. This format makes the platform’s most distinctive feature visible through a real-time action.

Displate gives the movie review a collector’s wall

In a review of Dragon Ball Super: Super Hero, Mark breaks from his analysis to show several Displate metal posters he has received, including superhero designs. He describes attaching them to the wall using the supplied cleaning materials and magnetic mount. The setup is short and tactile, so viewers can see how the artwork changes the space.

The creator’s enthusiasm as a fan is central to the read: he calls the posters convenient and shares his own collection before returning to the film. The sponsor fits a channel whose audience enjoys anime imagery and collectibles, and the mounting demonstration gives the product a clear visual proof.

Fandom can lead to an action on screen

Whatnot uses a live bid to show how a collector might browse; Displate uses an actual room and wall to demonstrate display. Both place the product inside the creator’s fandom rather than describing it in isolation. A campaign can choose whether viewers should watch an interaction or see a finished setup, then return to the anime conversation.